plus, an interview with the artist ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏

NEW # Michael Bishop Michael Bishop is a contemporary landscape painter based on the South Coast of England. Working in oils he combines real and imaginary subject matter to evoke mysterious, surreal paintings. We’re pleased to present a collection of special edition prints by the artist, inspired by local landscapes, lyrics and literature. Each print is embossed with a King & McGaw edition stamp and comes accompanied by a certificate of authenticity.
NEW ## Michael Bishop Michael Bishop is a contemporary landscape painter based on the South Coast of England. Working in oils he combines real and imaginary subject matter to evoke mysterious, surreal paintings. We’re pleased to present a collection of special edition prints by the artist, inspired by local landscapes, lyrics and literature. Each print is embossed with a King & McGaw edition stamp and comes accompanied by a certificate of authenticity.
Explore the collection

Crepuscule
Guiding Lights
Le Domaine Perdu
Peace
Eard
Moon River
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INTERVIEW # ‘The surreal/mysterious aspect is definitely a driving force. I do work in several styles, from looser to more detailed, but this dreamlike quality, I hope, is a constant thread running through everything.’ To mark the launch of Michael Bishop’s collection of special edition prints, we sat down with the artist to learn more about his practice, including being taught by Raymond Briggs at college, and how he moved from illustration towards painting during his time living in Manhattan.
INTERVIEW ## ‘The surreal/ mysterious aspect is definitely a driving force. I do work in several styles, from looser to more detailed, but this dreamlike quality, I hope, is a constant thread running through everything.’ We sat down with the artist to learn more about his practice, including being taught by Raymond Briggs at college, and how he moved from illustration towards painting during his time living in Manhattan.
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