plus, we sit down with Michael Sargeant to learn more about the renowned collective ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏

New Brighton, UK, 1983-85, Martin Parr

NEW

For almost 80 years, Magnum has represented some of the world’s most renowned photographers, including the late Martin Parr – maintaining its founding ideals and idiosyncratic mix of journalist, artist and storyteller.

We’re pleased to announce our collaboration with the legendary alliance, to present The Magnum Photos collection. Printed on 80# Chorus Art Silk cover paper, discover exceptional quality photographic prints of some of the most captivating images taken across the globe.

Explore the collection

New York, 1974,

Elliott Erwitt

New Brighton, UK, 1983–85, Martin Parr

A llama in Times Square, New York, 1957,

Inge Morath

Courtyard of the Meiji Shrine in Tokyo, Japan, 1951,

Werner Bischof

Venice Beach Rock Festival, 1968,

Dennis Stock

Glasgow, Scotland, 1980 by, Raymond Depardon

INTERVIEW

‘We’re living in a post-truth era where images can be created or manipulated to steer opinion at a scale we’ve never seen before.’

Join us as we talk to Head of Digital Projects, Michael Sargeant about Magnum Photos’ founding ideals based in authorship, authenticity, and a humanistic approach to storytelling, and the worrying advancement of unregulated AI.

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