Rediscovered: a first edition of Galileo’s debut book, Top picks from Contemporary Online, Summer exhibitions, Alphonse Mucha, Gold-ground paintings, Works on paper, and more͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­͏‌  ­
Christie's
Going Once

05‌ Jul‌ 2025

 

This week’s stories

Rediscovered — a 420-year-old first edition of Galileo’s debut book, inspired by a supernova

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From Baldessari’s first print to a Warhol cookbook: highlights of contemporary art offered online

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Alphonse Mucha — how 4,000 works by the artist found a palatial new home in Prague

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Works on paper coming to New York — by Elaine de Kooning, Whitten, Condo and many more

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From Cezanne in Provence to Dumas in Athens: the summer shows to see in southern Europe

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Midas touch: the masters of gold-ground painting who helped shape Renaissance art

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Editor’s picks

 

The 2018 painting Abandoned finds an unlikely beauty in a neglected corner of the urban landscape. Executed in oil on aluminium by the Canadian artist Kim Dorland, the work depicts a boarded-up house overlooking a scruffy lawn and a cracked pathway; but the richness of the paintwork, with a palette enlivened by strokes of vivid pink, gives it a sense of bruised grandeur

Estimate: $5,000-7,000

until 18‌ July‌, Online

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Allan D’Arcangelo once said that his ‘most profound experiences of landscape were looking through the windshield’. Consequently, the images for which the artist is best known, such as his 1969 print June Moon 1963, feature various aspects of the American highway. In this set of four pictures, a moon rising on the horizon turns out to be a glowing petrol-station sign

Estimate: $800-1,200

until 16‌ July‌, Online

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Cindy Sherman’s Madame de Pompadour (née Poisson), from 1990, consists of a 24-piece dinner service and a 21-piece tea set adorned with pictures of the artist in the guise of Louis XV’s famous mistress. They were made at the Ancienne Manufacture Royale in Limoges, a centre of French porcelain production that was fervently supported by Madame de Pompadour in her lifetime

Estimate: $3,000-5,000

until 17‌ July‌, Online

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The mind-bending images we associate with M.C. Escher — of impossible spaces and dizzying perspectives — seem to have their roots in his topographical studies. His 1931 print Tropea, Calabria is a true depiction of the Italian town, where the buildings appear to grow out of the rock face; but the angle from which we view it has been artfully chosen to heighten the vertiginous drama of the scene

Estimate: $12,000-18,000

8-22‌ July‌, Online

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What’s on

 

Sale on view | London, 5-8‌ July‌

Valuable Books and Manuscripts, 9‌ July‌

 

 

Coming soon | Online

Fine and Rare Wines Online: Hong Kong Edition, 18-29‌ July‌

 

 

Selling exhibition | Online

75 Years of New Contemporaries, until 14‌ September‌

Anytime, Anywhere

Why wait?

DISCOVER PRIVATE SALES ON YOUR SCHEDULE

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JUNE TO AUGUST 2025

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A NASA image of Supernova 1987A. Photo: NASA // Clockwise, from bottom left: John Baldessari (1931-2020), I Will Not Make Any More Boring Art, 1971. Sheet: 22⅜ x 30 in (567 x 760 mm). Estimate: $30,000-50,000. © John Baldessari 1971. Courtesy Estate of John Baldessari © 2025 Courtesy John Baldessari Family Foundation; Sprüth Magers. Offered in Pressing Forward: Contemporary Editions from a Private Detroit Collection, until 16‌ July‌ 2025 at Christie’s Online / Helen Frankenthaler (1928-2011), Sure Violet, 1979. Etching, aquatint and drypoint in colours. Image: 23¾ x 35⅜ in (603 x 898 mm). Sheet: 31½ x 43⅛ in (800 x 1095 mm). Estimate: $8,000-12,000. © 2025 Helen Frankenthaler Foundation, Inc. / Artists Rights Society (ARS), New York. Offered in Contemporary Edition: New York, until 17‌ July‌ 2025 at Christie’s Online / Billy Al Bengston (1934-2022), Alice in Transylvania, c. 1960. Oil on four joined canvases. 68 x 60¾ in (172.7 x 154.3 cm). Estimate: $100,000-150,000. © Billy Al Bengston / Various Small Fires. Offered in First Open: Post-War & Contemporary Art, until 18‌ July‌ 2025 at Christie’s Online // Alphonse Mucha (1860-1939), Rêverie, 1897/98 (detail). Colour lithograph. 72.7 × 55.2 cm. © Mucha Trust 2025 // Jack Whitten (1939-2018), Untitled, 1969. Oil and acrylic on glazed paper. Image: 23¾ x 16½ in (60.3 x 41.9 cm). Sheet: 26 x 20 in (66 x 50.8 cm). Estimate: $20,000-30,000. © Jack Whitten Estate / Elaine de Kooning (1918-1989), Untitled, 1956. Watercolour on paper. 17¾ x 12 in (45.1 x 30.5 cm). Estimate: $15,000-20,000. © Elaine de Kooning Trust. Both offered in First Open: Post-War & Contemporary Art, until 18‌ July‌ 2025 at Christie’s Online // Paul Cezanne, The Sea at L’Estaque, 1878-79 (detail). Oil on canvas. 72.8 x 92.8 cm. Musée national Picasso-Paris, Donation Picasso, 1978. Pablo Picasso Collection. Photo: © RMN Grand Palais — Mathieu Rabeau. On show at the Musée Granet in Aix-en-Provence // Jake Grewal (b. 1994), Offensive // Defensive II, 2024-25 (detail). Oil on canvas. 24 x 30 in (61 x 76.3 cm). Price on request. Offered in 75 Years of New Contemporaries, until 14‌ September‌ 2025 at Christie’s Online. Artwork: © Jake Grewal. Courtesy the artist and Thomas Dane Gallery