plus, David Hockney’s ‘A Closer Grand Canyon’ ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏  ͏

Model and Oranges, 1953, Henri Matisse COLLECTION # The extra large prints edit Showcasing Andy Warhol’s golden Rorschach, a rare super-moon by Max Ernst, and an exhibition poster featuring Model and Oranges by Henri Matisse, the large-scale works in this collection promise to transform your walls into something extraordinary.
Model and Oranges, 1953, Henri Matisse COLLECTION ## The extra large prints edit Showcasing Andy Warhol’s golden Rorschach, a rare super-moon by Max Ernst, and an exhibition poster featuring Model and Oranges by Henri Matisse, the large-scale works in this collection promise to transform your walls into something extraordinary.
Explore the collection

Model and Oranges, 1953, Henri Matisse
1025 Colours, 1974, Gerhard Richter
Normandie, A.M. Cassandre
Rorschach, 1984 (Special Edition), Andy Warhol
Through and Beyond (Red), 1991-92, Sandra Blow RA
Birth of a Galaxy, 1969, Max Ernst
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SPOTLIGHT # A Closer Grand Canyon, 1998 In 1998, David Hockney travelled to the Grand Canyon to draw it from observation. Working daily for a week at Powell Point on the South Rim, he drew numerous studies in oil pastel, capturing the wild landscape from sunrise, and the movement of light and shadow around the terrain throughout the day. To convey the colossal size of the geologic wonder, once he arrived back in his studio, he painted A Closer Grand Canyon across 60 canvases. Find out more about this exhibition poster featuring Hockney’s panoramic masterpiece.
SPOTLIGHT ## A Closer Grand Canyon, 1998 In 1998, David Hockney travelled to the Grand Canyon to draw it from observation. Working daily for a week at Powell Point on the South Rim, he drew numerous studies in oil pastel, capturing the wild landscape from sunrise, and the movement of light and shadow around the terrain throughout the day. To convey the colossal size of the geologic wonder, once he arrived back in his studio, he painted A Closer Grand Canyon across 60 canvases. Find out more about this exhibition poster featuring Hockney’s panoramic masterpiece.
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