plus, we chat to Chris about the collection, inspired by Britpop ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏

NEW

Chris Ashworth

Since working for alternative music magazines in the 1990s, Chris Ashworth’s artwork has been synonymous with the music of the decade. Creating his graphic design pieces with a pre-digital approach, Ashworth’s works emerge from his precious collection of vintage Letreset, a scalpel, and his favourite songs playing through his headphones.

We are thrilled to have collaborated with Ashworth to present two limited edition screen prints and four limited edition giclée prints, inspired by Britpop.

Explore the collection

The Year of Britpop

Today - Inspired by the song Wonderwall by Oasis

Common People - Inspired by the song Common People by Pulp

Britpop

Woo Hoo - Inspired by the song Song 2 by Blur

Symphony - Inspired by the song Bitter Sweet Symphony by The Verve

INTERVIEW

‘Over the years both of these big influences have developed into a creative approach I call ‘Swiss Grit’, which is essentially Swiss graphic design with a soul.’

To celebrate the launch of Ashworth’s limited edition collection, we sit down with the artist to hear stories from the 90s, learn about his iconic style Swiss Grit, and a new magazine project with his old Ray Gun publishing friend, Marvin Scott Jarrett.

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